Interview x Forester Products



Late last year I was interviewed by Alannah, founder of Forester Products, a sustainable and eco-friendly company from Northern Ireland.

We’d spoken for a while prior to this, and quickly noticed our beliefs towards the environment were very similar. I found myself taking some promotional shots for them in autumn of 2018. All of their products are made of entirely cruelty free and vegan materials.


A lot of inspiration comes to me from nature, and from within, through perspective and self-reflection. It is easy to focus on just the good things or the bad things. However, not a lot comes from dwelling on one emotion. Intrigue ignites inspiration for me, and a lot of the time it is a spontaneous observation, thought, feeling or realisation. Within my documentary work, I like to capture these emotions through the eyes of others, and capture their stories/relationships/passions/pains. With my landscape work, I adore showing people how I see what is around me; as we all have a unique eye. Portraiture allows me to capture an idea or a person in a way that is both passive and intense. I love that photography allows me to be so versatile and expressive.

Read the full interview here.

The Lone Wolf Pack



The Lone Wolf Pack was created to start a conversation. So many people out there struggle with their mental health, and we want to make them feel comfortable finding help.

Wear our products with pride, and start talking about your health. Ultimately, there's nothing more important than you.



The Lone Wolf Pack was inspired by my love of wolves. I’ve had an affinity to the name ‘Akela’ (the pack leader in The Jungle Book) after my final year project at university, where I set up a company called Akela Tailoring. I love the way wolves are seen as both a pack animal and a loner. I thought this was very fitting for the way mental health is seen; you feel completely alone but are also part of a huge group of people who are suffering just the same.



I just want people to talk to each other about mental health more. Whether it's their own, or someone in their lives, all we need is a conversation. Mental health is such a taboo subject still, and people are so scared to own their issues for fear of being judged. I want everyone to know it's okay to suffer, and that they’re never alone.



I have a lot of people in my life who suffer from, or are close to someone who suffers from a mental health condition. In a way, each of their stories inspire my work.

The raven tee is inspired by my mother. She suffers from anxiety, and she always feels like she’s being watched and judged. I designed the raven tee with her in mind, and I wanted to show her that although she feels like she’s on the outside, we're all on the same path and we’re in this together.



I’ve always loved designing. Whether its drawing illustrations, fashion or branding; I’m passionate about making things pretty. I get a lot of my inspiration from social media like Pinterest and Instagram. I’m also so inspired by the people around me. From my husband, best friends and work colleges to my therapist; everyone has a story to tell.

I love the logo tee the most. It has been interpreted into so many different things, which is amazing. Some people see the wolves as mountains, the heartbeats as an anxiety attack or simple a sign that life will go on. I think it is so inspiring and heartwarming to hear other peoples interpretation, they always hint a little bit to their own story.



To me breaking the stigma means getting to a place where people aren’t afraid of asking for help. There is so much negativity around the term ‘mental health’ and that needs to change. How can we expect people to feel comfortable with their illnesses, if society both flinches at words like ‘depression’ and ‘OCD’ but also uses them as adjectives to describe their bad days. This changes peoples perception of mental health completely; we’re not comfortable talking about it openly and honestly while at the same time we play it down and use mental health to explain our saddest moments.



Absolutely, yes. I think kids need to understand that what they are feeling or going through does not define the rest of their lives. More effort needs to be put into teaching the youth on how to cope with mental health and help those in need. We need clearer boundaries on languages used around mental health and we need better procedures in place within schools to help the children who are in need. 

School is such a difficult time for a lot of people, and with the right kind of education we can put a foundation of knowledge in there that will help the students deal with any problems they may have in their future life. 


A lot can change in a year. These days, life seems to fly by and it’s easy to get lost in the days and weeks which quickly turn to months, without doing the things we enjoy. Before we know it, half the year is gone and we still haven’t started a load of things we’ve been meaning to do. We forget about picking up a new language, or learning how to cook healthier recipes, or make time to exercise more, or go see those things we want to see. Life gets busy, but the way I see it, we need to do those things in the here and now. As grim as it is to think about, it’s only an assumption that we will make it to a ripe old age and retire with time, money and energy to do the things we want to do now. It’s important that we get fulfilment in life, and that we’re able to be proud of what we’ve achieved. Whether that is as simple as getting out of bed, showering, saving up for a holiday or completing a marathon. It took a long time to have this mind-set change and positive outlook on the things life throws at us. A lot has happened throughout my life to get me to this stage where I feel I can do whatever I want, and achieve anything I set my mind to. To me, it is important to talk about my journey as open and honest as I can, which is why I have partnered with Georgia from The Lone Wolf Pack to fight the stigma around mental health problems.


Personally, I had a hard time growing up once I reached adolescence, never fitting in with girls because I was too boisterous and rough, and never fitting in with boys because of the age they were. I struggled a lot as I reached my teens and found myself becoming more isolated and reserved, oblivious to what was going on inside my own mind. I started to have panic attacks, and many nights where I felt horror at the thoughts that seemed to fill my head and deafen my ears. I would argue with my parents for no reason, and stop talking to my friends, instead turning the volume up to max on my headphones; blasting some heavy metal and noise that drowned out the rest. Apparently, I was intent on giving myself tinnitus but thankfully, I never quite managed that. My school, and every other one that I know of, never gave any education on what mental health was, or the problems that are sometimes encountered with it. This left a very dangerous environment for me as a young teen, as I was left to google my symptoms, and we all know what google is like. This led to a lot of research and an obsession to learn what was ‘wrong’ with me. I took every online test I could and started to talk to people who felt the same sense of confusion and sadness; we all seemed to be desperate to diagnose ourselves with labels so we could at least name what was going on.


This obsession to learn what was happening inside became a very self-destructive habit, and I soon became more depressed. Having uncontrollable panic attacks almost daily, a loss of thought, feeling and sense of self. I would skip school and hide out in fields to sob. My attendance got worse, I got in trouble more and then argued more with my parents in turn. I suppose, now I can look back with some perspective and say those were all signs that I needed to ask for help. However, I never reached out for help, or even thought of telling anyone of my troubles, all of which took me down a darker path to learn how to cope alone. It is difficult to describe what depression feels like, some people simply think it is low-mood, but its so much more and less than that. Depression is a never-ending contradiction of feeling everything so raw and shutting down to feel nothing at all. Finding that switching my feelings ‘off’ was a way to help, I started to bottle up all of the guilt and anger and self-hate. This was a major point in my earlier timeline where things started to go even more wrong. 


I was fourteen years old when I first self-harmed. I did it because I couldn’t feel anything, I was numb for months on end and completely out of touch with reality. I forgot how to process emotion, how to even categorise what myself or other’s felt, and I considered myself a void that constantly sucked up positivity, happiness, and enjoyment. At this point, I could not bare to not feel anything, it was eating me up inside like gangrene to a foot. I cannot remember exactly how I hurt myself, I think my brain has blocked that off as an unconscious measure to defend itself. I can, however, remember the aftermath of the realisation of what I had done. I’d never felt such defeating sorrow, remorse or pity, but I had felt something at least. I am not embarrassed of how I tried to cope with depression at an early age, I just feel never-ending sadness that this is how other people are trying to cope too. Outsiders would look at self-harm and think that that person wanted to kill themselves, but for me, that was not true. It was my anchor to not being numb, but it was also irrevocably self-destructive; causing riots in my mind and breaking my heart. I only wish people like me were told of or educated to try different ways to cope, ways where we did not have to inflict pain on ourselves to feel something. 


So, I had tried two ways to cope. Both were not sustainable, and both made my depression worse. Turning my feelings ‘off’ led me down the path to self harm, and I did not want to follow that path any further. Self-harm made me feel so worthless and small, that I had started to have suicidal thoughts to end the conflict that seemed to haunt me every day. Contradicting those thoughts, I took action to try and reach out for help. I was sick of crying in the shower until the water went cold, sick of wearing long sleeve tops and bandages on my wrist, sick of being sick. Strangely, I think I will always recall the first time I told someone of my struggles. I was not too close to her, but I knew she was a sturdy rock that would know what to do when I didn’t. I saw the pain in her eyes as I showed her my wrist, and she held me as I started to sob. Overwhelming amounts of feeling hit me, I felt guilt for what I had done; relief for her accepting me; and pride for finally facing myself head on. She asked if she could bring someone else to help, I said yes. And so began my road to learning about depression, and more importantly, how to cope with it. 


It took me five years, countless failed attempts at therapy and endless conversations about anything and everything, to feel a little more balanced and like I was in control. These were the hardest five years I experienced, and I won’t go into them today. What I want to talk about, is how talking saved my life. Through talking about the complicated feelings I felt, I was able to understand myself more, and the way my mind worked. I was able to address my depression head on and be in control of it, notice when things started to get worse, and put my coping mechanisms in place to prevent it from overwhelming me again. Don’t get me wrong, I relapsed during these five years and had more really dark times, but I was able to overcome it.


The key to coping (for me) was to listen to myself. I have always been creative, since a very young age when I wanted to be an author, and then a singer, actor, artist, photographer, poet, and writer again. I find that now, I am very self-reflective and dig deep to uncover any concerns I have and understand my emotions, thoughts and feelings, and where they come from. Using this creativity as a tool to express my inner-most feelings, I picked up a lot of creative based subjects during my time in school. With art, I used a lot of etching and black materials to show how I felt, making the pieces very personal and intimate to me. Drama helped me become more grounded, and my teacher was one of the most supportive people I could have asked for. I was able to experiment within different characters, and empathise with other people’s pain and situations too. With photography, I took a surrealistic approach and came up with some hauntingly dark projects which seemed to help me cope. I suppose, creating was my first positive coping mechanism, and still is. Within all of my work, I try to show an element of escapism, or use the work as a measure to temporarily escape.


This time last year, I was traveling around Australia and New Zealand, in awe by the views my eyes took in, but feeling so very alone and astray inside. Traveling and seeing beautiful places is what makes me happy, but last year I did not feel happy. Honestly, I felt a lot of guilt over a relationship that ended and an overwhelming ache for myself, because I did not know who I was. Bear in mind, I still don’t know who I am completely; and that is okay as people are always changing and growing. But, this time last year I felt utterly out-of-touch, and struggled to even do things I would have normally enjoyed. When I returned to the UK, I tried my best to encourage myself to grow. I planned a couple of adventures, and met a new friend whom I hold close to my heart, probably because she’s a deadass savage like me. Really though, we just get each other and both enjoy traveling. I traveled to the Highlands of Scotland and Isle of Skye, and then to the Lake District, and finally the Peaks. I kept feeling increasingly lonely despite the fact I was doing something I was supposed to enjoy. In November, things got really bad and I cancelled my trip to Scotland last-minute to try and get better. 


Finally, after two weeks off work, I gave up trying to help myself, by myself. I rang into work and talked to my manager about how much I was struggling, and he helped me get to someone who could help me. Luckily, I work in an environment where mental health problems aren’t taken lightly. I am grateful beyond words that it is taken seriously, and can’t imagine how hard it must be for people in the workplace when they don’t get any support. After another failed therapy attempt, I agreed to try once more with a new therapist who turned out to really get me. I have officially been discharged and I’m back to feeling my normal self again. I’ve taken several trips since, which I have wrote about in my previous posts, and I’m happy to be enjoying it again. 


Point is, I was given ears that listened, arms that knew when I needed to be held, hands to hold through darker times, and love from my friends because they knew I was struggling. I now try to be all of those things back, because I don’t think anyone can manage all that negativity by themselves. I try to encourage people to talk about their struggles, and ask for help when they need it. Together, we can build a community where it is safe to talk about these things that aren’t easy to talk about. 


MIND is an amazing charity that tackles mental health problems with education and support for people around the clock. Georgia, founder of The Lone Wolf Pack, donates 10% of every purchase to MIND. You can see her beautiful designs here, all inspired by the struggles of real people.

I also want to say THANK YOU to Afnan and Andre who are two very talented buskers whom donated all of their earnings to MIND the day of this shoot. What a generous pair, hopefully you'll hear them perform one day down Northumberland Street.

Beach x TTM


Editorial Brief: I want this to be a story of two people who care deeply about each other. It will be through the use of both body and facial language that we show this connection, which can be either platonic or romantic. I want there to be room for the viewer to have their own interpretation of the photographs. By pairing my imagery with my own poetry, it will give a complete sense of the beach and the story of these two characters. The photographs will visually tell a story, and the poems will describe the deeper feelings, allowing the reader to experience the smaller things that happened within these pictures.

This has been one of those projects that has been building up for a while, but took no real form until early May. I have always looked to tell stories with my photography, and I've been practising this skill over the past months with both landscapes and portraits, mixing into a sort of documentary/travel style feel. Focusing on my own ideas and refining how I capture particular stories or feelings has been very eye-opening for me. It's allowed me the time and space to feel freely about the world around me and the lifestyle I would like to capture.


I have been a fan of several photographers whom have influenced and helped shape the work in this editorial, mainly @1924us. These guys are such a huge inspiration to me, sharing genuine and honest stories about their lives, as well as the outlook that they have towards growing, living and appreciating what is around them. They're an extremely talented and hardworking bunch of creatives, whom sell beautiful works that they have photographed, written or designed themselves. I would urge you guys to go read through some of Christian's stories that are shared via his Instagram, and even hire them for some branding if you can afford it.

The concept for this editorial started all fuzzy and blurred in my mind, struggling to take a form of its own due to my lack of experience within this area. I knew what I wanted it to feel like; warm and homely; rustic and old fashioned yet intimate. I started by opening up Pinterest and creating a secret board full of the colours I got those feelings from, eventually selecting some final images and creating some concept boards, which I have below. I don't know all of the photographers whom took these beautiful photographs, which is one major downside to using Pinterest to gather images. The only image I can credit is the last shot of a beach fire, taken by Bailey Wilday whom is a young photographer and vlogger from Tasmania, Australia. He captures absolutely breathtaking landscapes and portraits in Tassie, and is one of my favourite photographers (as well as being solely responsible for why Tasmania is so high up on my list of places to visit). His editing creates stunning tones and feelings of contentment, which was the vibe I was going for in this editorial shoot.


After gathering the colour palette concept boards, I contacted Tyne Tees Models and shot them an email asking to use some of their models for this shoot. I managed to get Sophie Grieve-Hunter and Joe West whom both fitted perfectly with the style I was going for. I've worked with Sophie previously, and she truly is wonderful to work with. Neither of us had worked with Joe before, but it was amazing to see him enjoying the shoot and sharing some of his own ideas with us as the day got on.

Being my first styled shoot, I was giddy with both excitement and nervousness for how it would go. I bought some props to help set the scene, things like: blankets, food, cushions, bowls, wicker baskets - the lot. I then set things up in my own back garden to decide on layout and angles, what kind of camera lens to use etc. I found this process was really helpful because it allowed me to develop more of an idea of what I wanted from Sophie and Joe during the shoot. I can honestly say that the shoot went better than I expected because it took its own shape and form throughout the day, evolving into something I'm so happy and proud of. 

The Change of Seasons


March came and the first signs of spring were emerging. Slowly, snowdrops fought to the surface against hard ground, then the land seemed to swell from the thaw and birds started to chirp in the early hours. Sunlight spilled through my windowpane, diffusing through condensed glass before casting a glow of promise into my attic room, waking me from groggy sleep. I never seemed to get enough rest during winter. The long hours of darkness merged both days and nights together. Comfort of warm blankets became increasingly desired, and leaving the cosiness felt unnatural. It wasn't until spring had started properly, bringing more hours of daylight with it, that I started to feel like the hibernation was over and I could truly stretch out with yawn, ready to start the day.

I'll never tire of the fresh air that fills my lungs whilst I watch the sun rise on cool mornings, enjoying the view with a smile lingering at the corner of my mouth. Mist lifted from the fields, casting beautiful pastel tones across my field of vision. Drives to and from home were spent watching the lambs skip and jump in the warmth of sunny days, a blissful break from the rain and fog that liked to hug the ground. Packing up my car, and finishing the warm mug of sugary tea, I headed off towards Scotland for my first adventure on home turf in 2018. 

It had been long awaited, and I'd held my fingers crossed for better weather. This luck didn't seem to kick in until the last two days, which I had spent in the Cairngorms with the reindeer. Regardless of the rain, the adventure had been successful, and I’d picked up some new interests along the way. I’d stalked across mountains, tailing a wild Red Deer stag between Glencoe and Kinlochleven. I tracked him by his poo, which seemed to be a very regular occurrence for him; Scottish water must be the equivalent to Yakult on an elder’s stomach. It was such a curious hike up and down; walking, waiting and taking photos. The stag would look back every 50m or so, see me, pause until I caught up, and then moved on another 50m. Occasionally stopping for longer periods of time so I could get some shots. He was my first glimpse into their lives, and the unexpectedness of stumbling across him amongst the foliage and undergrowth added to the experience. I’d always had a fascination with deer, and the trip allowed for plenty of time to observe them as well as many other animals. 

Originally, the plan was to capture the beautiful landscapes in both the Highlands and Cairngorms, but the wildlife seemed to grab my interest. I had been pre-warned by @connormollison to take some carrots and apples with me to feed the deer, as they were apparently tame enough to be hand-fed in certain areas. When I found a herd confident enough to come up to me, it didn’t take long for my stash of food to run out. They seemed to be comfortable with human presence, and didn’t mind me getting close to take some photos. The Cairngorm Mountain Reindeer were very docile, as they’ve been raised (and protected) by humans. August 2017 was my first visit to see them and I had been intrigued by them ever since. 

Despite the interest in the wildlife, I did still appreciate the surroundings, and felt myself merge into the landscape with ease, wandering around valleys and along streams. A vast amount of travel is done within my own company, so I have plenty of time to think about current projects and new ideas. Time away from home to visit new (or old) places inspires my creativity; it’s important to me to spend time doing new things, otherwise I become too comfortable and routine. 

Adaptability is a great human trait, and I often set myself new challenges to further growth. At the start of the year, I’d made a mental note to do more work with people, whether that was traveling or shooting with them. I’d practiced portraits not nearly as much as I had wanted to the previous year, and needed to push myself into these new zones of photography. Once I’d returned from my trip to Scotland, I planned a day out with some friends from work and a girl called Ellie, who had an interest in my photos. The weather was on our side, and we spent a delightfully sunny day up in a place called Cragside, near Rothbury. 

Swinging on hammocks, talking to each other, and listening to the light breeze between trees was a simple pleasure. The sunlight soaked into our skin, warming up our souls and making us giddy. It was the first time we needed to wear sunglasses, and it was already April. Alana and Frankie were watching the frogs mating in the water, finding duck eggs and other insects. It’s a strange feeling, watching other creatures fight or fend off others for their partner, a small parody of our own lives. Days like this were easy, a place to be yourself amongst other people and share an appreciation for the view. I took some portraits of everyone, happy that I could try out new poses and techniques; sharing photos and videos to remember the day. The hours spent outside in the warmth made our eyes tired and skin soft, conversation flowed freely as I tried capture my friends honestly in my pictures. 

We departed late in the day, a little over a ninety minute drive back home, where I then browsed through the 2000 photos I'd taken. I smiled as I looked through them, seeing their personality and feelings within the frame. The main reason I had such a passion for photography, was that I could relive happy memories over and over again, and recall funny conversations or late night nostalgia. However, it wasn’t the fact I could do that for myself. Instead, it was that I could do that for other people too. A way to physically view or hold treasured memories and not let them slip away.

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The Land of Awe


I always felt out of place growing up, and to an extent, still do. Seeming to view and feel the world in a different way to those around me; living with an appreciation for nature and life that I hope will one day be a harmonious give and take. When I step outside into the wilderness on cold and blustery days, I hear more in the wind than the bitter cold that reddens my cheeks and tangles my hair. I see more than just light when the sun starts to shine, instead looking at smaller details like leaves with that beautifully warm colour, almost like they’ve been drenched in golden honey; or to the mountains, watching the shadows shift under cloud. I feel I belong in isolated places where time can pass freely; it makes me feel connected to the earth and, therefore, at peace. 

This winter in Northern England has been grey and dreary, an almost constant monotone with sun on so few occasions that I could count them on one hand. There is however, one aspect of winter that reaches into my child-like soul, filling me with an incomprehensible giddiness that overflows: snow. Unsurprisingly, I found a lot of snow on my recent trip to Iceland, along with horizontal hailstorms and over 50mph blizzards. I had never felt so alive, or perhaps it was the constant flow of delicious strawberry cheesecake Skyr that kept me going whilst I travelled. 

There is a feeling called hygge (pronounced hue-guh) which is a Danish word meaning a conscious appreciation, a certain slowness, and the ability to not just be present; but recognise and enjoy the present. Acknowledging a feeling or moment, whether alone or with friends, at home or out, ordinary or extraordinary as special. This is the way I felt during my time in Iceland. Days spent with friends (both old and new), experiencing everything the country had to offer. As soon as our flight touched down in Keflavík, we were instantly fuelled by happiness and the curiosity of a new adventure. Bags collected, the four of us headed off to pick up our hire car; a Dacia Duster we later named Demon. 

What an experience it was to drive on the right-hand-side of the road for the first time. Whilst driving towards Selfoss, the road became ‘Impassable’; meaning only emergency vehicles were permitted to travel on them. A small convoy made up of a couple locals and tourists U-turned back towards Rekyjavík, where we made an emergency booking to stay for the night. Although it was a valid experience to be frightened or put off by, I felt the opposite. I could feel the energy of the whole planet against my skin, flowing through my veins; full of secrets and mysteries that I ached to discover. 

This first night was only a taster for what was to come. We managed to get further than Selfoss over the following days, mainly exploring the South Coast. Snow tipped into boots as we clambered up hills, and hail stones pelleted our faces as the wind threw them at us horizontally. The storms there felt like a surge of unfathomable and uncontrollable energy that reverberated through my entire body; it was the most alive I had ever felt, and I could not help myself laughing and running into the storm.

What I loved (and still love) about Iceland is the unpredictability of it. The weather would rage as if the Old Gods of Norse Mythology were very much alive and present, and had something to prove. But then: calm. Insane calm. My heart and soul felt so full as I looked out onto the blankets of snow that topped every mountain and volcano in the Snæfellsness Peninsula. There are very few words to describe how I felt that day, other than hygge. So small and insignificant and completely in awe, I looked up at the famous Kirkjufell, content. Time came to a standstill as I lay down, listening to the tiny specs of frozen snow skip across the surface of the ground. I had no real words to speak to my friends as we drove home that evening, other than ‘holy crap, look at that,’ or ‘how is this real?’